‘The French Dispatch’ Is Wes Anderson at His Most Self-indulgent
It’s strange, in a way, to call any of Wes Anderson’s movies personal. By now you probably know the litany of complaints often lodged against the director’s style, many of which are the same things his fans would consider merits. His films are overtly stagy, with actors delivering their dialogue in a flat, affectless manner, often directly to the camera, from sets that resemble meticulously arranged dioramas. Whimsical yet melancholy, his movies are sentimental in a way that’s often dismissed as “twee.” They’re also slightly pretentious, adhering to a mid-century aesthetic that pretends like the world never progressed past the eighties. These are all deliberate choices that seem designed to create distance, not invite people in. And they’re why Anderson’s films leave many viewers cold.The…View Original Post
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Source: Texas Monthly